The Realistic Angles of Cubism

Walking through the brightest spaces in the city you will see the sun touch a field of buildings. Some are historical treasures while others are depictive of a modern appeal. The details of newer architecture often include words such as reflective, sharp and angular. The facets of design are intellectual and geometrical proving a dimensional theory that is thought to be the wave of the future. Interestingly, they vindicate historical concepts from over a century ago that was inspired by artists stepping into a new plane of technique. Taking Realism to an intricate perspective brought the art world out of the classic realms it was accustomed to. Cubism as an artistic title that heightened in 1907 as an exact form to follow.

Most consider Picasso as the forefather of Cubism alongside great artists such as Braque, Metzinger and Gris. It is debatable who exactly was the first to paint with Cubistic theories as it was a movement that brought us into the 20th Century. Cubism is meant to be realistic despite its off balance appearance. In lieu of soft sweeping curves and blended patterns, the style takes an almost mechanical approach. The subject matter holds light from every angle dawning differing shadows and drop off points.

The Angle of Cubism

Native American and African art idealized the use of perception to show the inner self of nature or individuals portrayed. It was not ideal to hide behind what is seen as there was always more beneath the surface. This tradition was a large influence on Picasso in his later works as we saw an emergence of angular shifts. Art shows began to display Cubism as an alternate to reality when it was intended to be more realistic than the present style. Much like Impressionism, Cubism was met with skepticism and doubt. The Artistic trend was labeled as eccentric and unusual by the community.

Perfecting the art of Cubism was a matter of personal viewpoints. There is not a single right or wrong way to decipher the shapes. Most pieces will depict the Artists objective with key elements that stand out above the rest. Simultaneity is the theme in Cubism allowing for various proportions, scale and shape to take hold in the eye of the beholder. Melding lines were not used as the contrasting reach for fourth dimensional objectivity is the foundation of the concept.

Reflections of Cubism
Reflections of Cubism

Reflections of Cubism

Hundreds of Cubism reflections are found in museums around the world. The style has greatly persuaded architecture in taking the expected and resounding the effect of Cubism in its result. Modern and contemporary Art display the same techniques in light and vision seen in famous works from long ago. Les Demoiselles d’Avignon by Picasso and Man with Guitar by Braque are two highly featured Cubism works in the portfolio. You will note the differing use of perceived texture by each Artist allowing for a larger platform to be developed under the conceptual umbrella of Cubism.